StyleARC Harper jacket

See what happens?  I posted every day for three weeks – so I suppose it’s not surprising that it’s now been over a week since my last blog post!  I must have exhausted my blogging mojo.  Since returning from Thailand life has quickly gone back to normal – well, the current normal of me working full-time while my husband manages the kids and house and looks for a new job.  And consequently, no sewing has taken place.  You’ll have to make do with projects that were completed before we went away.  And let’s hope that my memory serves me well when trying to remember project details!

The StyleARC Harper jacket is very similar to a few of my ready to wear knit cardigan/jackets.  I know that these drape cardigan/jackets are everywhere and will probably begin to look quite dated soon, but they are styles that I reach for often and feel comfortable in.  They also go nicely over my dresses and skinny pants.  The line drawing:

StyleARC describe this jacket as follows: This wonderfully knit jacket is a must for all occasions. Easy to wear and easy to make. Enjoy the complimentary hook & eyes included with the pattern.   So, here’s my version.

Style Arc Harper jacket in wool woven

First things first: I ignored the “knit” part of the pattern description, and made this jacket in a wool woven. This is NOT something that I would generally recommend, but the fabric was thin, soft and drapey, and since the style is quite unstructured I thought that it might work. I think it did.

Style Arc Harper jacket in wool woven

Now, these photos were taken at the end of a long day that involved quite a bit of sitting, so the back looks terribly wrinkled. These wrinkles actually drop out quite quickly. I sewed the jacket in a straight size 12. I did follow the instructions to do a french seam at the centre back neck, which has worked well. The back neck folds over and shows on the outside, so the french seam is better there. Other construction was on the overlocker. I had major dilemmas about how to finish the edges. The pattern suggests leaving them raw, and I just didn’t think that would work on this fabric. The other thing to consider was that the wrong side does show on the front, where the lapels drape and fold when the jacket is worn open. I decided to turn the hem to the inside once and stitch it in place with a narrow twin needle, hoping that the raw edge that would show occasionally would look “rustic” with the zig-zag from the back of the twin needle stitching, and that the rest would just look neat. I think that it has worked nicely enough.

Style Arc Harper jacket - twin needle stitching detail

I turned and twin needled the sleeve hems as well. This jacket is surprisingly warm to wear – due to the wool content, of course – and it is also rather comfortable. I’ll use the pattern again, but in a knit as recommended.

Style Arc Harper jacket in wool woven

By the way, the wool was a remnant from Rathdowne Fabrics. It’s an unusual shade of mustardy green that coordinates very well with lots of my clothes.  This was the last garment I sewed before our holiday, which means that I haven’t sewn anything for a month now!  Surprisingly the withdrawal isn’t too bad – I’m enjoying getting adequate sleep and reading some books instead.

Barb, Simone and the Plantain

When I type a post title like this one, I wonder how many readers will get what I am referring to immediately, and how many might have to puzzle it out.  In this case, I am referring to the StyleARC Barb pants, the StyleARC Simone cardi, and the Deer & Doe Plantain tee.

Style Arc Simone cardigan and Barb pants with Plantain tee

These were all Sewjourn makes as well (I haven’t done any sewing for last week – gasp!) and were very straightforward. I hadn’t made the Barb pants before, but will definitely be making them again.

Style Arc Barb pants

I sewed these in charcoal grey stretch Bengaline, also from StyleARC. It’s wonderful fabric. A woven, with a phenomenal amount of stretch that runs along the length of the fabric. That means that you have to cut the pants out with the pattern pieces running from selvage to selvage in order to have the stretch going around the body, which is at right angles to the usual layout. I made these as work pants. They have a slim leg, but aren’t as skinny as the Elle pants (that I usually make from ponte). The back is looser through the upper thigh as well (remember that I have relatively slim hips and thighs as compared to my mid-section).

Deer and Doe Plantain tee with Style Arc Barb pants

I left these fairly long, as apparently the Bengaline can shrink a little. Construction was on the overlocker. There is elastic encased in the separate waistband, and the rise comes up nicely over my stomach.

Deer and Doe Plantain tee

The tee is the free Plantain pattern by Deer and Doe. I graded this pattern over three sizes; 40 bust, 42 waist, and 38 hips. It pulls a little just above the bust where it could probably do with a FBA. Next time I might try a cheat’s FBA on the front piece and not grade down for the hips but leave it to flare out more. The fabric was from Super Cheap Fabrics in Brunswick. The texture is great, and I like the petrol blue.  Once again construction was all on the overlocker, with the twin needle in the machine to finish the hems.

Style Arc Simone cardigan

After those two fairly workhorse garments, what I am happiest with from this outfit is the Simone cardigan. I used a crushed wool blend jersey that came from the Darn Cheap Fabrics $2 table some time ago. The drafting is impeccable, and the way that the pockets are formed from drapes into the side seam is so clever!

Style Arc Simone cardigan and Barb pants

I sewed straight size 12 for the cardi. Most construction was on the overlocker, with the twin needle on the machine to finish hems and secure the front bands in place. It’s hard to see how the pockets work so here is the line drawing.

This cardi has already made its way into high wardrobe rotation.  It must be the combination of the simple shape with the additional touch of the drape pocket – especially when paired with one of my current colour obsessions, golden mustard! I especially like it with my Jaywalk dress.

Vogue 8975 for the Tessuti Jaywalk 2014 competition

As it so happens, the Jaywalk dress and Simone cardi combination is what I wore yesterday to celebrate my husband’s significant birthday!

2014-06-21 15.07.55

We had a wonderful party at home with a group of family and close friends. It was loads of fun but boy, the day flew past! And I have to say, that cake was absolutely delicious. Happy 50th to my perfect match – we really do complement one another. And now it’s only two more sleeps until Thailand…..

Butterick 5954 with StyleARC April pants

These patterns are both repeats. Butterick 5954 has been used once before. StyleARC April has been used more than once before!

Butterick 5954 with Style Arc April pants

I am going to put the Butterick 5954 pattern into more use. I love this top!  The pattern offers a sleeveless version or short, three-quarter or long sleeves, with neckline and front overlay options.  This time around I sewed view B, but with full-length sleeves. 

The fabric is a very soft and drapey golden/mustard jersey (possibly a viscose blend) that came from Darn Cheap Fabrics.  I cut size Medium. It fits closely through the shoulders and upper chest, then flares out nicely from below the bust. I love tops that flare out over my mid-section rather than sticking to it.

Butterick 5954

And just check out the flare of the back pieces! The back is cut with a centre back seam, and fits closely through upper back than flares out from just above the waist. The flare is added both to the side seams and to the centre back seam. There’s a lot of fabric there – this top is a real fabric hog.

Butterick 5954 with Style Arc April pants

And yes, there is a high-low hem going on again here. I did petite this top at the shorten/lengthen lines, as I usually do.

Butterick 5954 with Style Arc April pants

The pants are made in leftover ponte from other projects. The print was from Darn Cheap Fabrics (I used it in my Lekala dress) and the solid ponte was a Tessuti remnant.  This really was a scrap project – I had to piece together some of the print to get a large enough amount of fabric for one of the back leg pieces. Luckily you can’t really tell, unless you are staring at my bottom from less than a metre away. And I don’t imagine that anyone will be doing that. And it will be covered by a tunic length top.

Style Arc April pants

I use size 10 for these, and have shortened the pattern both above and below the knee.  The horizontal seaming at knee level makes these ideal for cutting from smaller pieces of fabric.  You do need a decent length of fabric for the inner and outer leg panels so that you can cut them out on grain, even though you don’t use up much of the fabric width.

The waist has elastic applied to the inside of the waistband then turned inside again and stitched into place. It’s such a straightforward way to elasticise a waistband!

Style Arc April pants

When I’ve used this pattern before I used the print on the narrower contrast strips. It was fun to use the print as the main fabric this time and the solid ponte as a contrast. I imagine that I’ll be dragging this pattern out every winter.

Butterick 5954 with Style Arc April pants

Looking at these photos I realise that the sleeves need to be shortened.  Much too long!  Otherwise this is a fun pair of garments.  They weren’t really made to wear together.  I think that they are fine in this combination, but I’m more likely to mix and match them with other items in my wardrobe.

Butterick 5925 tunic and Colette Mabel

There aren’t many gaps in my wardrobe, but I did identify one for long sleeved tunics in solid colours.  But I didn’t want to just make a whole lot of long sleeved tees.  I’ve added a few Katherine and Marcy Tilton patterns to my stash recently, and pulled out Butterick 5925 to make this navy tunic.

Butterick 5925 tunic with Colette Mabel skirt

It’s really hard to see the design lines in this dark fabric, so here is the line drawing.

The pattern description from the website says: MISSES’ TOP: Pullover top has neckline and pocket variations, seam detail, and shaped hemine. A: slightly draped neck and pocket bands. B: pocket binding. A and B: semi-fitted, stitched hems. C and D: loose-fitting, hem band, and narrow hem. B, C and D: neck binding. Wrong side shows on hemlines, and C and D pocket openings.  I made stye C, but without the pockets. The fabric is a polyester crepe knit from Spotlight. It’s actually rather lovely to sew and wear.

Butterick 5925 tunic with Colette Mabel skirt

I’m trying to remember what size I made; it was probably a Medium, and I’m pretty sure that I petite-ed it by folding out an inch and a half through the body at the marked shorten/lengthen lines. The seams are interesting; there are princess seams in the back and forward angled seams at the front but no seams at the side where you would usually expect them to be.

Butterick 5925 tunic

I like the fit through the body but think that the shoulders are a little too wide. I’ll size down to a Small at the shoulders next time – and there will definitely be a next time for this pattern. In fact, I have view A cut out in a grass green polyester crepe knit, also without the pockets.

Colette Mabel skirt

The skirt is the Colette Mabel, in the view with the back pleat and the side front panels. For a bit of interest I cut the side front panels with the print running the opposite way to the rest of the skirt. Can you tell? This time I made a Medium throughout. The fabric choice really affects the fit – this one could have done with a Large in the waistband. But I can still wriggle into it!  The fabric is from Darn Cheap Fabrics – I was lucky enough to find this small piece in the remnant bin!

Colette Mabel skirt

I really like that little pleat at the centre back, and it is super simple to incorporate. This was Mabel number three – I still have to show you number four and five!

Butterick 5925 tunic with Colette Mabel skirt

These Butterick tunics offer lots of opportunities for mixing and matching prints and colourways, as seen on the pattern envelope.  I find myself more and more drawn to designs such as those from the Tilton sisters.  They and other “art to wear” patterns are the sorts of styles that I used to think of as “middle aged women clothes”.  What does that say about what I am becoming?

Perri Pullover

A couple of months ago I made each of my daughters a Cali Faye Collection Perri Pullover.  I blogged Clare’s here.  I’m still waiting for Stella to agree to try hers on, let alone model it for the blog.  And while I was away at Sewjourn in May, I made one for myself.

Cali Faye Collection Perri Pullover

I have had the shredded effect knit in the stash for a little while, not knowing just what to make from it. The fabric is two layers, the top one shredded in places and attached to the fabric underneath in others.  Interesting! I bought it at Darn Cheap Fabrics a year (or two) ago, and it often comes out of stash and then goes back in again. I think this pattern is quite an appropriate match.  The bands and pockets were were cut from dark grey viscose jersey.

Cali Faye Collection Perri Pullover

I cut the size Large, for a 40 inch bust. I really could have sized down. Although this is obviously an oversized look, I think it’s possibly a bit too oversized for my liking. I didn’t follow the neckband instructions, leaving it the same width as the sleeve and hem bands instead of turning it to the inside a second time as suggested.

Cali Faye Collection Perri Pullover

I do like a high-low (also known as a “mullet” hemline, and suspect that I will continue to wear them long after they go out of fashion. This one would have benefitted from shortening through the body though. This is an easy garment to make – most construction is on the overlocker.  And it’s a relaxed top for lounging.

Cali Faye Collection Perri Pullover

That said, I’m a little bit “meh” about it. I much prefer the Day Tripper top that I made earlier in the year.  A similar style, but with longer sleeves (more practical), slightly shorter body length with a little more shaping, and a more closely fitted neckline.  The proportions just work better on my body.  That said, I might give the Perri Pullover another whirl in a different fabric, smaller size and shorter length.  We’ll see!

Liesl & Co Cappuccino tunic

Like many others, I was pleased when Liesl Gibson announced that she was going to rework her popular but out of print Simplicity 2245 Lisette Portfolio dress pattern into a new one.  The Cappuccino dress and tunic has the same cut on sleeves and groovy in-seam pockets, as well as some gentle gathers from the centre front of the neckline, but the neckline is v-shaped and the overall shaping is slightly different to the original pattern (you can see my version of the original pattern here).  The pattern description from the website: Our favorite look for any season, this easy-going pullover can be made in two lengths—as a tunic or dress. Both styles feature a flattering V-neck and crossover neckband with a softly gathered front detail and options for either a kimono-style short sleeve or a three-quarter-length sleeve with contrast cuff. The dress includes unique on-seam pockets in a flattering curved seam.

This pattern would be perfect in summer fabrics, but I had just bought some wool remnants from Rathdowne Fabrics and the weather here in Melbourne was getting decidedly cooler, so I made the tunic length from the wool to wear as a layering piece.

Liesl & Co Cappucino tunic in wool.

This was a tiny remnant and I didn’t even have enough for the neck band. Tessuti came to the rescue for that part! There are no pockets in the tunic, and as we have come to expect from Liesl the instructions were excellent and the drafting impeccable. The tunic came together very quickly.

Liesl & Co Cappucino tunic in wool.

I really like the fabric; those little flecks of white and maroon are beautiful in the green. It was just lightweight enough to gather satisfactorily, and was straightforward to work with overall.

Liesl & Co Cappucino tunic in wool.

The centre back seam also helps with shaping. I’m looking forward to making the dress version in a more appropriate fabric once spring arrives. The pattern comes with instructions on making a FBA, but I decided not to bother in my wearable muslin, and it looks as though I don’t need it.

Liesl & Co Cappucino tunic in wool.

All in all quite a satisfying experiment – and it’s lovely and warm!

another lesson in fabric and pattern combining – Burda 6988 again

The first time that I made Burda 6988 I was pretty much thrilled with the result, and was inspired to use it again to make a fitted sheath dress.  Which I did.  This is the pattern description (courtesy of Pattern Review’s website):  Either narrowly cut or with bell-shaped skirt ending at the hip bone: the appeal of these charming jersey dresses with flat bateau neck lies in their unobtrusive cut. Slightly fitted to the waist by sophisticated, curved darts. Recommended fabrics: Jersey

.Burda 6988

I had been looking at this stretch lace bonded to ponte fabric at Darn Cheap Fabrics for some time. I was drawn to it every time that I went in, even though another part of my brain loudly shouted “you’ve got to be kidding”. Then there was a length of it in the remnant bin and that was it. I jumped. And cut out the straight dress version of the pattern.

Burda 6988

When I tried this on at Sewjourn – late at night, without accessorising or lipstick – it was an absolute fail. I was clearly channeling the 80s but not in a good way. But when I put it on again at home with stocking and shoes and a serious control slip underneath, I changed my mind. And would you believe it, my husband likes it! But, back to the post title – this was definitely another example of how important it is to get the fabric and pattern choice aligned, and how much difference the fabric type makes to the eventual fit of the dress.

Burda 6988

The first time I made the dress I used a ponte knit, and this is also a ponte. But – isn’t there always a but – it is a little thicker and a little firmer. So even though the dress is cut in exactly the same size as last time, with the same petite alterations throughout, the bodice is much, much firmer on me. I can wriggle into it, and it feel okay when I am wearing it, but it sticks to the bulges much more than it skims them. I did all the hems with once in wide Vliesofix tape, and simply ironed them into place without stitching! Oh my – isn’t that cheating? But I didn’t want a visible line of stitching over the fabric, and it wasn’t worth hand-stitching for something I wasn’t even sure that I liked. The Vliesofix holds it is place firmly, and if I decided that I do like the dress I’ll secure it properly.

Burda 6988

So in the end, this dress isn’t too bad. It’s a departure from my usual style, both in terms of fabric and silhouette, but I’ll give it a go. I always knew that it was going to be an experiment! I will wear it with a coloured jacket and accessories, to break up all that white on black lace. And I definitely haven’t finished with that Burda pattern yet.

Burda 6988

And the other Sewjourners had a ball with the scraps, that quickly became incorporated into Mabel skirts. Ah, the Mabel – I must write up a blog post soon about the Mabels that I have made. I’m trying to get blog posts up to date – or at least written to auto-post – before we leave for our holiday soon.

the remnant dress – Style ARC Laura

Way back when I was at Sewjourn in May, I watched the Style Arc Laura dress pattern get a massive workout by Wendy, Rachel and especially Kathryn.  Kathryn used it to make dresses and tops, with all sorts of fantastic fabric patterns.  I was so inspired that as soon as I got home I pulled out my copy of the pattern and set to work with some remnants from other projects.  And I ended up with this!

Me made May day 24. Style Arc Laura dress made from double knit leftovers.

This dress is one that I felt great in as soon as I put it on.  The floral yoke and sleeves were scraps that I snaffled from Wendy – and I think that she found the fabric at Reverse Art Truck. They are a jersey. It took quite a bit of skill to squeeze the pattern pieces out of what I had!

Style Arc Laura dress

The front and the back are ponte remnants from other projects. I used different colours because I didn’t have enough to use just one!

Style Arc Laura dress

Something that I’ve learned since making this dress and looking at the photos – I need to make it bigger through the back. The pattern is a size 12. I had already done a slash and spread with the back pattern piece, but I need to do more. I’ve put on weight since the first time that I made it. I also will remove some of the back waist length, which shouldn’t be too hard to do with a centre back seam.

Style Arc Laura dress

I’m fairly pleased with the fit of the yoke and the sleeves. There are some folds just above the bust at the armhole, and I’ll consider doing a FBA on this pattern to hopefully eliminate that in the future. Adding a little more through the body will help the dress to skim over the bulges more.

Style Arc Laura dress

So no, the fit isn’t perfect. But it’s not appalling either. And when I put this dress on, I feel good! Construction wise it was assembled on the overlocker. I finished the neckline with a band and topstitched with the twin needle. It’s very fast to make. I’ve decided that with some tweaks I can follow Kathryn’s lead and make this a tried and true pattern that can be used a million ways!

Style Arc Laura dress

new togs for Thailand

I swear, I have the most lovely group of blog readers ever!  Thank you so much for the positive feedback that you gave me on my Jaywalk dress, and on the photos!  I really do love the dress, and whether I win a prize or not (and considering how amazing many of the entries are, chances could be slim) I have made something that I know I will wear again and again and again.

At the moment I am having a bit of a frenzy to get organised for our Thailand trip.  Ramping up to full-time work in the last couple of weeks has impacted significantly on my sewing time, and there are a few things that I wanted to get made for the trip that won’t be finished.  But some new bathers were non-negotiable.  There is a fair bit of poolside lounging ahead, and I didn’t have anything that fitted my current size and shape!  Kwik Sew patterns to the rescue.

Kwik Sew 3609 size L

This is Kwik Sew 3609, kindly modelled by Ada. I’ll post photos of me wearing them after our trip – I just couldn’t bear to get into bathers in June! I sewed the size Large, without alteration.

Kwik Sew 3609 size L

The bottoms are super simple, and come up nice and high over my belly. I prefer to tuck my stomach inside my togs instead of have it hang over them. Not much to say about these really! There’s much more work in the top.

Kwik Sew 3609 size L

Yes, it’s basically a swim dress. Clearly I have become middle aged. But now I prefer more coverage for a myriad of reasons. The bust is twisted and gathered, and has a halter strap. There is elastic through the top of the bust and around the top of the back, as well as more elastic around the underbust seam. I think that these will provide plenty of support for the swimming I’ll be doing. No laps.

Kwik Sew 3609 size L

The fabric came from Rathdowne Fabrics, which is a marvellous resource for swimsuit fabric. I used the overlocker for much of the construction, but used the machine for just as much. Elastic was applied using a zig-zag, then turned to the inside and zig-zagged in place again. Kwik Sew has excellent instructions, and if you take your time it isn’t all that difficult to make these.

Kwik Sew 3696

Kwik Sew 3696 also got an outing. I like two piece bathers due to their ease of wearing (a polite way of saying that it’s easier to go to the toilet if you are wearing a two piece). The pants on these were had a much lower rise than the previous pair, and after trying them on I decided to unpick the waist elastic and add a wider band to the top to make them come up higher. This inside out photo shows the added band, which also has elastic around the top. The double layer of the band should also provide a bit more tummy support.

Kwik Sew 3696 pants detail with added band

The halter top was relatively straightforward. The ties are threaded through a casing on each side of the cups, which gathers them in a bit, and there is another tie put through the centre of the cups to gather them there as well. The side ties provide some cup size adjustability.

Kwik Sew 3696

Once again, the fabric is from Rathdowne Fabrics. There is also elastic around the top of the cups and around the underbust seam and the top of the back.

Kwik Sew 3696

Here’s hoping that both pairs perform well in the pool! I have a Bombshell swimsuit cut out as well, but may not get that made in time. And I’ve been sewing togs for the girls as well. I’ve enjoyed making these much more than I anticipated. There are some gorgeous bathers patterns around – Jalie have just released one that is particularly nice. Maybe next time!

Vogue 8975 – Jaywalking

Oh my, the sewing machines were running hot around Australia during the Queen’s Birthday Long Weekend, for the deadline of the Tessuti Jaywalk Competition is tomorrow.  And we all want to win $1000 of Tessuti fabric.  Photos are popping up on the competition Pinterest Board at a rapid rate, and there are some seriously fantastic garments to see!  I generally don’t enter sewing competitions and the like.  My ego is too tender, and I don’t really like sewing to a deadline.  But when the competition was announced with such lovely fabric at a vastly reduced price, I couldn’t resist.

Vogue 8975 for the Tessuti Jaywalk 2014 competition

So, here I am in Vogue 8975! I had it cut out weeks and weeks ago, but it was only sewn up yesterday. Nothing like a deadline to give me that final push! Anna offered to be my photographer, so all the terrific photos are due to her skills and fancy camera. A little different to the usual ones from the 11 year old daughter (or the unenthusiastic husband) using the camera in my phone….

Vogue 8975 for the Tessuti Jaywalk 2014 competition

There is a whole lot that I like about this dress. Firstly, the fabric. It’s a viscose/spandex and has such a divine hand. It’s fairly weighty, so hangs beautifully, and was very straightforward to sew. I have a little left of the black/natural colourway, and a metre or so of the pale ecru/natural colourway. Originally I planned to enter more than one garment in the competition. Well, that didn’t eventuate. I still have plans for the remaining fabric (actually, I wish that I’d bought more) that involve doing some fancy things with tucks along the stripes.

Vogue 8975 for the Tessuti Jaywalk 2014 competition

The next thing that I love about it is the pockets and associated drapes. The construction really is rather ingenious. Marcy Tilton is so clever! I have no idea how she designs these types of garments.  The pockets and drapes all join and fold and tuck and none of it is hard to do, but you end up with this marvellous effect at the front. Whereas the back is all pieced, but the shapes of the pieces meant that none of the stripes could match up exactly all the way along any of the seams. The jagged effect created along the seamlines in conjunction with the strong contrast of the stripes is really interesting to me.

Vogue 8975 for the Tessuti Jaywalk 2014 competition

I did however match up the stripes along most of the centre back and along the sleeve seams, and all the stripe placement elsewhere is perfectly symmetrical. Go me!

Vogue 8975 for the Tessuti Jaywalk 2014 competition

The sewing machine and the overlocker were both used in construction, with many of the seams stitched first on the machine before finishing the edges with the overlocker. Both the shoulder seams and the neckline were stabilised with fusible tape before sewing seams together. Hems were secured with one inch wide vliesofix tape before stitching with a twin needle. I also topstitched around the neckline with the twin needle.

Vogue 8975 for the Tessuti Jaywalk 2014 competition

Size wise, this is size Medium. I made all my usual short waist adjustments by folding around an inch and a half out of the bodice pieces before cutting it out but no other alterations. All the pattern pieces fitted together beautifully and the finished dress is one that I know I will wear again and again.

Vogue 8975 for the Tessuti Jaywalk 2014 competition

The only thing that I would do differently if I made this dress again would be to add some fusible interfacing at the centre point in the front. Although there is a line of stitching to reinforce that area, the fabric is relatively heavy, and there is quite a lot of fabric in the skirt to weigh it down. It’s not pulling a great deal, but a little more stability there would have been preferable. Actually, there is one other thing I would have done differently – it would have been fun to have cut some of the sections on the cross grain to play even more with the stripes.  There is plenty of stretch in the fabric and that probably would have worked beautifully.  The pattern drawing and cutting layout does suggest using a contrast!  Ah well, there’s always next time.

Vogue 8975 for the Tessuti Jaywalk 2014 competition

Check out how this dress twirls – it shows you how the front drapes connect in behind the bottom of the pockets on the inside of the dress. And I like the weird effect that photographing the stripes gives.

Vogue 8975 for the Tessuti Jaywalk 2014 competition

Do make sure that you check out all the competition entries. The variety of styles that people come up with for the same fabric are amazing. It’s been fun to take part.